EDVARD MUNCH, his quotes on painting art & life by the Norwegian painter of landscape with people; + biography facts
Edvard / Edward Munch, (1863 – 1944) his quotes on painting art & life by the landscape painter artist + biography facts. It was in his homeland Norway already that the young painter Edward Munch broke with Realism and Impressionism. He visited France and the modern inspiring painting scene. Edvard Munch developed a sensitive and personal way of painting, strongly influenced by his personal life. He searched for expressing – in a symbolic and expressive art – the secrets of human life and its invisible aspects. Famous paintings are ‘The Scream, Vampire and Madonna’. At the bottom more biography facts and art links for the famous artist Edward Munch – the editor.
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Edvard Munch: ‘Spring evening on Karl Johan street’, 1892 |
Edvard Munch, his quotes on painting art & life by the Norwegian artist; + biography facts
- Grey dawn was seeping into the sick room (around Christmas 1867, Munch was almost dying and spitting blood when he was 13, but recovered, fh) I lay in the middle of the bed with my hands outside the bedclothes, looking straight ahead. Now I was in a pact with God. I had promised to serve him if I survived, if he allowed me to escape the tuberculosis. Now I could never be as before.
* source, famous Norwegian people life quotes: T 2771, as quoted in “Edvard Much – behind the scream”, Sue Prideaux; Yale University Press, New Haven and London, 2007, p. 26 (famous Norwegian Symbolism artist Edvard Munch, his comments about life & creating print art and expressionist paintings)
- One evening I came to have a discussion with my father on the subject how long unbelievers are tormented in Hell. I maintained that no sinner could be so guilty that God would let him suffer longer than a thousand years. Father said that they would suffer for a thousand times a thousand years. We would not give up the argument. I became so irritated… …I returned home to make my piece with him. He had gone to bed so I quietly opened his bedroom door. He was on his knees in front of the bed, praying… …I closed the door and went to my own room but I could not get to sleep… …Eventually I took out my drawing block and started to draw. I drew my father kneeling by his bed, with the light from the bedside lamp casting a yellow glow over his nightshirt. I fetched my paintbox and colored it in. Finally I achieved the right pictorial effect, and I was able to go to bed happy and slept soundly.
* source, famous Norwegian people life quotes: ‘Close Up of a Genius’, Rolf E. Stenersen; Sem and Stenersen, Oslo 1946, pp. 10 – 11.
- There must be no more pictures covered in brown sauce (around 1880 when he painted a lot of landscapes in fresh colors, fh)
* source, famous Norwegian people life quotes: a written note “Edvard Much – behind the scream”, Sue Prideaux; Yale University Press, New Haven and London, 2007, p. 41.
- No one in art has yet penetrated as far (as Dostoevsky, fh) into the mystical realms of the soul, towards the metaphysical, the subconsciousness, viewing the external reality of the world as merely a sign, a symbol of the spiritual and metaphysical,
* source, famous Norwegian people life quotes: ‘Edvard Munch’, Hans Dedekam, Kristiana 1909, p. 4.
- I am at work on a “girl”. It is quite simple a girl getting up on the edge of her bed and pulling on her stockings. The bed is whitish, and in addition there are white sheets, a white nightdress, a bedside table with a white cover, white curtains and a blue wall. (The picture ‘Morning’ 1884, fh)
* source, famous Norwegian people life quotes: a letter to Olav Paulsen, September 1884; as quoted in “Edvard Much – behind the scream”, Sue Prideaux; Yale University Press, New Haven and London, 2007, p. 53.
- Life here (Paris, 1885, fh) is quite different. You hardly ever see a dog on a lead; you come across little wagons being pulled by dogs that are often so small that you can’t inmagine how on earth they manage to shift such enormous weights. You see shepherdesses in the middle of the street herding goats and sometimes playing on their flutes.
I think I’ll go to the Louvre and the Salon today.
* source, famous Norwegian people life quotes: “Edavrd Munch Brev, Familien” p. 57.
- My ideas developed under the influence of the bohemians or rather under Hans Jager (leader of the Kristiania Bohemia since 1883, fh). Many people have mistakenly claimed that my ideas were formed under the influence of Strindberg and the Germans… …but that is wrong. They had already been formed by then.
* source, famous Norwegian people life quotes: a draft letter to Broby-Johansen, Berlin, 11 December 1926, Munch Museum ( great Norwegian Symbolism master artist Edvard Munch, his inspirational quotations about life & creating print art and expressionist, emotional paintings )
- The strange light illuminated all those night-time meetings that took place in every imaginable sort of café; the lips nouthing defiant words, heedless of restraint or consequence, often overbearing and brutal as only Norwegians can be, vast shadows of impotence misery and shabbiness – spirits training for fulfilment, striving in vain to be great, complete, unique. (Munch describes the environment and atmosphere of the Norwegian bohemia in Kristiana where he himself lived and worked when he was about 23, fh) And at the centre of all the faces there would be (Hans, fh) Jaeger, whose logic was as sharp as a scythe and as cold as an icy blast…
* source, famous Norwegian people life quotes: “Edvard Munch”, Pola Gaugain, Oslo Aschehoug, 1933, p. 15.
- Far out there – that
Soft line where the air meets
The sea – it is as incomprehensible as
existence – it is incomprehensible as
death – as eternal as longing.
* source, famous Norwegian people life quotes: N 613, as quoted in “Edvard Much – behind the scream”, Sue Prideaux; Yale University Press, New Haven and London, 2007, p. 79.
- Realism’s “truth” as embodied in painting and literature now solely consists of things capable of being seen by the eye or heard by the ear. Realism is concerned only with the external shell of nature. People content with the discoveries they have made ignore the fact that there are other rhings to be discovered, even broader avenues to be explored. They have found bacteria, but not what they consist of (written in 1892)
* source, famous Norwegian people life quotes: Nice, January 1892, OKK 1760; as quoted in “Edvard Much – behind the scream”, Sue Prideaux; Yale University Press, New Haven and London, 2007, p. 81.
- When I write these notes, it is not to describe my own life. I am writing a study of the soul as I observe myself closely and use myself as an anatomical testing-ground. It would therefore be wrong to look on these notes as confessions. I have chosen – in accordance with Sören Kirkegaard – to split the work into two parts; the painter and his distraught friend the poet. Just as Leonarda da Vinci studied the recesses of the body and dissected human cadavers, I try from self-scrutiny to dissect what is the universal in the soul (written after 1908, fh)
* source, famous Norwegian people life quotes: “The Mad Poet’s Diary, T 2734.
- The point is that one sees things at different moments with different eyes. Differently in the morning then in the evening. The way in which one sees also depends on one’s mood… …coming in from a dark bedroom in the morning into the sitting room one will, for example, see everything in a bluish light. Even the deepest shadows are topped with bright light. After a while one will accustom oneself to the light and the shadows will be deeper and everything will be seen more sharply. If an atmosphere of this kind is being painted it won’t do merely to sit and gaze at everything ‘just as one sees’. One must paint precisely the fleeting moment of significance – one must capture the exact experience separating that significant moment from the next – the exact moment when the motif struck one… … In some circumstances a chair may seem to be just as interesting as a human being. In some way or another it must have caught the interest in which case the onlooker’s interest must somehow be engaged in the same way. It’s not the chair that should be painted, but what the person has felt at the sight of it (probably written in Saint Cloud, 1890 and perhaps related to the chair of Vincent van Gogh, fh)
* source, famous Norwegian people life quotes: T 2770, as quoted in “Edvard Much – behind the scream”, Sue Prideaux; Yale University Press, New Haven and London, 2007, pp. 83-84.
- What is art really? The outcome of dissatisfaction with life, the point of impact for the creative force, the continual movement of life… …in my art I attempt to explain life and its meaning to myself.
* source, famous Norwegian people life quotes: N 45, as quoted in “Edvard Much – behind the scream”, Sue Prideaux; Yale University Press, New Haven and London, 2007, p. 35.
- The only influences in (the painting he made in his elderly home, remembering very accurate the last days of his dying little sister Sophie, fh) ‘The sick Child’ … …were the ones that come from my home… …my childhood and my home. Only someone who knew the conditions at home could possibly understand why there can be no conceivable chance of any other place having played a part – my home is to my art as a midwife is to her children … …few painters have ever experienced the full grief of their subject as I did in ‘The sick child’. It was not just I who was suffering; it was all my nearest and dearest as well.
* source, famous Norwegian people life quotes: Edvard Munch talks to Jens Tiis, circa 1933, Munch Museum; as quoted in “Edvard Much – behind the scream”, Sue Prideaux; Yale University Press, New Haven and London, 2007, pp. 85-86.
- At first when I saw ‘The Sick Child’ (in his imagination, fh) her pallid face and the vivid red hair against the pillow – I saw something that vanished when I tried to paint it. I ended up with a picture on the canvas which, although I was pleased with it, bore little relationship to what I had seen … …In the space of that year (1885 – 1886, fh), scratching it out, just letting the paint flow, endlessly I tried to recapture what I had seen for the first time – the pale transparent skin against the linen sheets, the trembling lips, the shaking hands.
I repainted the painting numerous times – scratched it out – let it become blurred in the medium – and tried again and again to catch the first impression – the transparent pale skin against the canvas – the trembling mouth – the trembling hands. I had done the chair (in which his sister Sophie had died, fh) with the glass too often. It distracted me from doing the head. – When I saw the picture I could only make out the glass and the surroundings. – Should I remove it completely? – No, it had the effect of giving depth and emphasis to the head. – I scared off half the background and left everything in masses – one could now see past and across the head and the glass….
… I had achieved much of that first impression, the trembling mouth – the transparent skin – the tired eyes – but the picture was not finished in its colour – it was pale grey – the picture was then heavy as lead.(he showed the painting on the Autumn Exhibition 18 October 1886; it was criticized severely, even by his bohemian art teacher/friend Jaeger, fh)
* source, famous Norwegian people life quotes: ‘Livsfrisen tilblivelse’, Blomqvist, Oslo 1929, p. 9 as quoted in “Edvard Munch – behind the scream”, Sue Prideaux; Yale University Press, New Haven and London, 2007, pp. 86-87.
- By painting colours and lines and forms seen in a quickened mood I was seeking to make this mood vibrate as a phonograph does.
* source, famous Norwegian people life quotes: Diary Saint Cloud, 1898; Munch, as quoted in “Edvard Much – behind the scream”, Sue Prideaux; Yale University Press, New Haven and London, 2007, p. 105.
- One sunny spring day I heard the music coming down Karl Johan and it filled me with joy. The spring, the sun, the music, all blended together to make me shiver with pleasure. The music added colour to the colours. I painted the picture (his painting ‘Music on Karl Johan’, fh)allowing the colours to reverberate with the rhythm of the music. I painted the colours as I saw them at that moment.
* source, famous Norwegian people life quotes: ‘Livsfrisen tilblivelse’, Blomqvist, Oslo 1929, p. 9 as quoted in “Edvard Much – behind the scream”, Sue Prideaux; Yale University Press, New Haven and London, 2007, p. 12.
- And I live with the dead – my mother , my sister (Sophie, fh), my grandfather, my father (who died in 1889, when Munch was in France, fh)… …Every day is the same – my friends have stopped coming – their laughter disturbs me, tortures me… … my daily walk round the old castle becomes shorter and shorter, it tires me more and more to take walks. The fire in the fireplace is my only friend – the time I spend sitting in front of the fireplace gets longer and longer… …at its worst I lean my head against the fireplace overwhelmed by the sudden urge – Kill yourself and then it’s all over. Why live?… I light the candle – my huge shadow springs across half the wall, clear up to the ceiling and in the mirror over the fireplace I see the face of my own ghost.
* source, famous Norwegian people life quotes: a note from Saint Cloud, 1898; as quoted in “Edvard Much – behind the scream”, Sue Prideaux; Yale University Press, New Haven and London, 2007, p. 115.
- Nothing ceases to exist – there is no example of this in nature… …There is an entire mass of things that cannot rationally explained. There are newborn thoughts that have not yet found form. How foolish to deny the existence of the soul. After all, that a life has begun, that cannot be denied. It is necessary to believe in immortality, insofar as it can be demonstrated that the atoms of life or the spirit of life must continue to exist after the body’s death. But of what does it exist, this characteristic of holding a body together, causing matter to change and develop, this spirit of life?
I felt it as a sensual delight that I should become one with – become this earth which is forever radiated by the sun in such a constant ferment and which lives – lives – and which will grow plants from my decaying body – trees and flowers – and the sun will warm them and I will exist in them – and nothing will perish – and that is eternity.
* source, famous Norwegian people life quotes: T 2760 written later in January 1892; as quoted in “Edvard Much – behind the scream”, Sue Prideaux; Yale University Press, New Haven and London, 2007, p. 119.
- Behind the top hats, a little lady wearing lila-coloured tights was balancing on a tightrope in the middle of all that blue-grey tobacco-laden air. I sauntered in among the standing clientele. I was on the lookout for an attractive girl. Yes – that one wasn’t bad. When she became aware of my gaze her facial expression changed to that of a frozen mask and she stared emptily into space.
I found a stair – and collapsed into it – tired and listless. Everyone clapped. The Lila-clad tightrope-walker curtsied, smiled and disappeared. A group of Romanian singers took her place. There was love and hate – and longing and reunion – and lovely dreams – and that soft music melting together with the colours. The melted notes became green palm trees and steely blue water floating in the blue haze of the room.
An artwork is a crystal. A crystal has a soul and a mind, and the artwork must also have these.
* source, famous Norwegian people life quotes: a note written in Ekely 1929, Munch Museum ( great Norwegian Symbolism artist Edvard Munch, his inspirational quotations about life & creating print art and expressionist, emotional paintings )
- I thought I should make something – I felt it would be so easy – it would take form under my hands like magic.
Then people would see!
A strong naked arm – a tanned powerful neck a young woman rests her head on the arching chest.
She closes her eyes and listens with open and quivering lips to the words he whispers into her long flowing hair.
I should paint that image just as I saw it – but in the blue haze.
Those two at that moment, no longer merely themselves, but simply a link in the chain binding generation to generation.
People should understand the significance, the power of it. They should remove their hats like they do in church.
There should be no more pictures of interiors, of people reading and women knitting.
There would be pictures of real people who breathed, suffered, felt, loved.
I felt impelled – it would be easy. The flesh would have volume – the colours would be alive.
There was an interval. The music stopped. I was a little sad. I remembered how many times I had had similar thoughts – and that once I had finished the painting – they had simply shaken their heads and smiled.
Once again I found myself out on the Boulevard des Italiens. (written in Saint Cloud in 1889; this text of Munch became well-known under the name ‘Saint Cloud Manifesto’).
* source, famous Norwegian artist – his quotes from his Manifesto: “Edvard Much – behind the scream”, Sue Prideaux; Yale University Press, New Haven and London, 2007, pp. 120 -121.
art links for more biography facts of the Norwegian painter Edvard Munch: on his life & painting art
* biography information about life and creating art by the Norwegian artist Edvard Munch, on Wikipedia
* ‘Dance of Life’, symbolism paintings cycle by great Norwegian painter Munch
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